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Vintage Treasures

January 2 - August 31, 2022

artists

Exhibition artist

Louise Nevelson

Louise Nevelson, born 1899, was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). “I think most artists create out of despair,” Nevelson observed. “The very nature of creation is not a performing glory on the outside, it's a painful, difficult search within.”

Born Leah Berliawsky on September 23, 1899 in Pereyaslav, Russian Empire (now Ukraine). Her family emigrated to the United States a few years after her birth, Nevelson moved to New York in 1920 and enrolled in the Art Students League in 1929. She went on to study with Hans Hofmann and worked as an assistant for Diego Rivera before her first solo at Nierendorf Gallery in 1941. The Whitney Museum of American Art in New York gave the artist her first retrospective in 1967.

Nevelson died on April 17, 1988 in New York, NY at the age of 88. Today, her works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the Art Institute of Chicago, and the Walker Art Center in Minneapolis, among others.

Stanton MacDonald-Wright

Stanton MacDonald-Wright was an American painter who co-founded the avant-garde Synchromism movement with his friend Morgan Russell. “Synchromism simply means ‘with color’ as symphony means ‘with sound’,” the artist said. “Our idea was to produce an art whose genesis lay, not in objectivity, but in form produced in color.” In this vein, his paintings often have a swirling, musical quality, with rich colors thrust up against each other.

Born on July 8, 1890 in Charlottesville, VA, he grew up in Santa Monica, CA, where his father ran a seaside hotel. At 17, the artist moved to Paris where he studied at the Sorbonne, the Académie Julian, the École des Beaux-Arts, and the Académie Colarossi. Notably, in 1920 with the support of Alfred Stieglitz, he organized “The Exhibition of American Modernists" at the Los Angeles County Museum of History, Science, and Art. Included in the show, were his own paintings, along with the works of Marsden Hartley, John Marin and Arthur Dove.

The artist died on August 22, 1973 in Los Angeles, CA. His works are in the collections of the Whitney Museum of American Art in New York, the Los Angeles County Museum of Art, and the Museum of Fine Arts in Boston.

Arthur Osver Photo
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"I remember as a child peering out of our fifth-floor apartment window at the strange world of rooftops below me; a world of strange shapes and sizes and colors; of grotesque chimneys, wires and wash hanging on the line. From then on I began to shake off the "plein air" type of painting that i had found so ill-suited to the Chicago scene. I began to paint the city as I experienced it directly."

Arthur Osver

Throughout the many phases of his development as an artist, Osver was - as he claimed - always a landscapist.  He would eventually define himself as an urban painter, his focus happening to be - as he put it - "on this world of wires and chimneys and tar paper and all the rest of it."  

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“I’m interested in making something romantic out of a very, very mechanistic geometry. Geometry and color represent to me an idealized classical place that’s very clear and very pure.”

Richard Anuszkiewicz

Richard Anuszkiewicz was a contemporary American artist best known for his mesmerizing Op Art paintings. Anuszkiewicz's works are saturated with vibrant color arranged in jarring geometric abstract compositions, formally exploring the phenomena of light, color, and line and their effects on human perception. “I’m interested in making something romantic out of a very, very mechanistic geometry,” Anuskiewicz once said. “Geometry and color represent to me an idealized classical place that’s very clear and very pure.” Among his most famed works is Deep Magenta Square (1978), a hypnotic composition featuring the illusion of oscillating movement through contrasting color relationships. Anuszkiewicz’s interest in optics perhaps stems from his study under famed colorist Josef Albers while attaining his MFA at Yale University between 1953 and 1955. Later in his artistic career, he experimented further with the physical effects of optic phenomena through sculpture, creating geometric works that mimic his two-dimensional compositions.

Born on May 23, 1930 in Erie, PA, his work was well-received in the 1960s and beyond, garnering his inclusion in the Venice Biennale and documenta, as well as various honors including a 2000 Lee Krasner Award. The artist died at his home in Englewood, New Jersey on May 19 2020, just four days before his 90th birthday. 

Theodoros Stamos

Theodoros Stamos was an American-Greek painter. He is best known for his large-scale gestural abstractions, and was the youngest member of the early Abstract Expressionist group alongside painters such as Jackson Pollock, Ad Reinhardt, and Clyfford Still.

Akin to Still, Stamos' paintings feature muted palettes and biomorphic abstractions, often appearing inchoate, inspired in part by East Asian aesthetics and philosophies. Stamos was met with generally favorable acclaim throughout his life and after, leading to positions teaching at the Black Mountain College until 1954 and at the Art Students League of New York until 1975, and inclusion in major collections such as that of the Art Institute of Chicago.

Born in New York, NY on December 31, 1922, he died on February 2, 1997 in Greece at the age of 74.

William Paul Morehouse

American, born in San Francisco, 1929 and died in 1993.
From 1947 to 1953, he attended the California School of Fine Arts where he studied under Richard Diebenkorn, David Park, Clyfford Still and Elmer Bischoff among others.
Morehouse taught with Diebenkorn, James Weeks and Nathan Oliveira from 1958 until 1967 at the California School of Fine Arts later named the San Francisco Art Institute.
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Inspired by the Impressionist masters, Norman once cited Jean-Baptiste-Camillie Corot and Gustave Courbet as major sources of influence: “Not in painting, in their style or in the style of their period, but in the spiritual and the light of them and certain crystal elements which Corot or Courbet each different in another way,” he said. “I tried to paint big landscapes with this kind of feeling about light."

Norman Bluhm

Norman Bluhm was an American Abstract Expressionist painter. Though he never achieved the same fame as his peers Joan Mitchell and Sam Francis, Bluhm was an influential figure in American art and is widely revered as a “painter’s painter.”  His work employs a repetition of organic forms and semi-figurative moments within pure abstraction to create a rhythmic language with paint.

Born on March 28, 1921 in Chicago, IL, Bluhm went on to study architecture at the Armour Institute of Technology in Illinois under Mies van der Rohe. After serving in World War II, Bluhm moved to Paris in 1948 where he studied at the Ecoled des Beaux-Arts, returning to New York in 1956. Today, his works are in the collections of The Metropolitan Museum of Art in New York, the Cleveland Museum of Art, and the Smithsonian American Art Museum in Washington, D.C., among others. Bluhm died on February 3, 1999 in East Wallingford, VT.

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“I am an abstract painter whose objects are really recognizable and sometimes quite realistic, but one has to realize that they are really constructed from the ground up in absolutely abstract terms.”

Raimonds Staprans

Raimonds Staprans is a contemporary Bay Area painter known for his depictions of fruit, chairs, and architecture. In a similar vein to the work both and Richard Diebenkorn, Staprans employs flat planes of color to create form and light.

Born in 1926 in Riga, Latvia, he and his family emigrated to America in 1947. The artist received his MA from the University of California Berkeley, where he studied under Hans Hofmann and Karl Kasten. Also a writer, Staprans is known for his plays, which give an insight into his painting process. In 2006, Raimonds Staprans: Art of Tranquility and Turbulence was released, the book provides context for how emigrating from Latvia influenced his development.

The artist lives and works in San Francisco, CA. His works are held in the collections of the Los Angeles County Museum of Art, the San Jose Museum of Art, and the Portland Museum of Art.